René Cerbelaud's Perfumery and Pharmacy Book

Beautiful vintage crucifix of fine Italian manufacture from the 1950s. The vintage crucifix was made with nickel plated iron and gilded bronze. The v...

Italian exercise horse with beautiful 1950's patina in excellent vintage condition. The frame is made of tubular iron that is well solid to support large loads. The iron feet are IN ...

Small Italian Gymnastic Horse of FONTI production with beautiful 1950s patina in excellent vintage condition. The frame is blue painted tubular iron, well solid to support large loads. The iron feet are IN THEIR ORIGINAL CONDITION with wear from their use. The brown colored leather or hide is in its original condition. The saddle is still in excellent condition without losing their original character and patina. With original label SOURCES. The workhorse can be included in a country or vintage retro style decor...

Immerse yourself in the charm of a bygone era with this exquisite antique wooden game, a true testament to the beauty and craftsmanship of yesteryear. This extraordinary game feature...

Nice vintage Italian toy of the 50's for girl, of Italian manufacture. The toy is a pretty carriage with its horse attached for little girl, the carriage still has working its pedals...

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...

A beautiful book produced by Franco Maria Ricci in a limited edition of only 6,000, this being number 1547. With black silk covers and a presentation clam shell box...

Hardback book with dust jacket in very good condition. This is the 1990 first edition which is now out of print, so it is scarce. 363 pages profusely illustrated throughout in colour...

Important book 'Seigneurs et Princes de Monaco' by S.E René Novella and Philip Reder French, Late 20th century Book: height 6.5cm, width 30cm, depth 38cm Case: height 9.5cm, width 34cm, depth 40cm Beautifully decorated in the style reminiscent of Medieval illuminated manuscripts, the book describes the history of Lords and Princes of Monaco. Written by S.E René Novella and illustrated by Philip Reder in the late 20th century, it was manufactured using traditional bookmaking techniques by Arts et Couleurs. Intricate colour border detailing adorns the pages of this publication, with a colour palette of various shades of green, blue, and red predominating. The names of lords and kings are further decorated with ornate borders, including motifs such as a crown, and the text includes ornate, coloured lettering. A luxurious red satin case with a red leather spine protects the book which comes with a certificate of authenticity. A collection of red lacquer illustrations depicting various arches is part of the publication. Red leather was used for the cover of the book and is decorated with gold and black debossed patterns. Only 150 copies were made with the book in Mayfair Gallery...

This amazing and extremely rare Bavarian Biedermeier-period pharmacy balance stand would have been at home at any apothecary’s shop during the mid-19th century. Crafted of walnut with bold giltwood accents, this stand holds eight separate sets of balances with brass beams and pointers, and weighing pans made of Horn, brass and porcelain. The balances measure out varying sizes; the largest is capable of measuring up to 500 grams, while smallest weighs up to 5 grams. Such balances would have been essential tools in the practice of compounding, or creating customized medications to suit a specific patient's needs. The delicate porcelain scales even indicate what they were used to weigh: one set is marked “Jodoform,” or iodoform, a disinfectant and antiseptic once used to treat wounds, and the other is marked “Venena,” which is Latin for “poisons.” Each scale also exhibits stamps indicating that they have been tested for accuracy. It is extremely rare to find such a large array of scales, especially those in such wonderful condition, in one collection. This intriguing piece is a must for any medical antiques enthusiast. The units of measurement in which apothecaries worked were often minute: grains, scruples, drams and ounces. As they were typically used to measure very small amounts of ingredients, apothecary and analytical balances...

English apothecary cabinet dated to the first half of the nineteenth century, mahogany box, brass handle and hinges and complete with key. The cabinet with a rectangular base is form...

The Great Book of Post-Impressionism by Diane Kelder, In this splendid sequel to The Great Book of French Impressionism, Diane K...